Being here and there at the same time makes people of Course evanescent, perhaps. Often it is not ambition, but affliction, that splits a soul across time and space. The body, riddled with limits, becomes both anchor and ghost.Ubiquitous in their frenzy to put their fingers in many pies, such a level of complacency, the seeking of agreement also in what-so-ever political debates might recall a cold feet approach. One of the most famous news journalists ever, Mr George Ben de Metre Edicole, a Conservative Party member who was Home Minister in the Twenty Ou Three-Twenty Ou Six and Twenty-six-Twenty Ou-Nine and President Twenty-Nine-Twenty- Twelve turn-around election remains an authority in public opinion.

  He compares such a flank, weak, frail political approach to the Finnish. He started his career as a junior member of parliament assistant, and chaired the public television agency (TeleCourse and its wider conglomerate Course Media Productions). Yet this does not mean he was assertive all the time. Yet, the crack beneath his voice — rarely noticed — echoed with private pain. Rumours had long circulated about the mysterious illness that kept him away from parliament for weeks, unspoken, but felt in his words. And those dreams, at times, clashed with the iron gates of invisible prisons: neurological shadows, undiagnosed burdens, bodies that refused to follow will.On the contrary, Mr de Metre show-case develops his role with a furious debate. Never-the-less, he affirms his positions with a stubborn rhetoric which raises many eye-brows. In terms of his rigid policy of law and order, many of his opponents argue that he embroils him-self with fascist inspiration.

  Especially at the turn of the century, the millennials’ dreams conjure a desperate seek for career success. The scope of this book spawn analysis through generation. As though the Eighties and Nineties see Mr Dickett rising from the Second Secretary of the Queen and King’s Round Table to introducing a democratic constitution where a parliament contemplates women and men caught up with the new challenges of the Twenty-first Century.

  Besides the works of fiction, coming from foreign influences as well as local, Danielle Mary Varole Michell stars in quite a few films. To impress the contemporary famous world-wide jet-set in her cinema industry, she becomes out-standing. Other than being producer of the most important films of Course cinema, she chairs the ACA Cinema Festival. Between Twenty-Eighteen and Twenty-Twenty-two, she acts in The Castle of Pitfalls – alas where are we headed. In theatre performances, under the direction of General Al Daniel Aujer Goldener, then she brought it on the silver screen. The Castle of Pitfalls, indeed, becomes more than performance. It is a cry muffled in velvet, a stage built over years of sleepless nights, hospital corridors, the quiet terror of watching one’s strength vanish.

  This plunges the un-countable behaviour of the over-all novel into the mesmerising oneiric effect of what a political vision for the public benefit mingles with portraits of a sensual metaphor. Under the silken metaphors, there lay an aching truth: even desire is deformed by pain. The way illness rewrites beauty is a theatre few choose to attend.Pursuing aesthetic sense of Beauty, Gaiety, Lust, Erotism turns public service into satisfaction.

  Dissertation about quantum physics apply data analysis, statistics, physics to enhance state-of-the-Art civil services. Governance smoothly would enable the running of the systemic smart applications that get the nation galloping at a peculiar fastest speed (even compared to bigger European countries.)

  The further we go, the better level of multi-culturlism grants the citizen-ship policies of welfare. A missing chance becomes the one prospect to settle down. From brief encounter driven by business, there is the one likely to bring over balance check and support on the long run. These new policies refer to the booming times  triggered by Ana Elena Primelet Primelet de Santo Domingo (swinging between Liberal Party and Conservative Party MP). The un-likely possibility to finally come across some-one with some-thing who can sweep head over the heels from a window ten feet below makes un-probabikity suddenly happen. Or not…

  Probably the master-piece which still takes now-a-day the Art of Course to world star-dome is the play-wright produced out of the Aujer genius mind as a social Work-of-Art. As far as the country has always been considered through-out history as the refuge albeit a quiet resort for people with medical issues of any sorts, The Castle of Pitfalls is a break-through piece of genius. Nevertheless, originating from a work that took more than twenty years, it put on a world-wide stage the metaphor behind the play.